The Art of Resistance
By Jesica Carson Davis
I used to loathe political poetry, found it to be tedious and lecturing. Too often, it seemed to focus on the outrage and demands, a didacticism that results in rhetoric of lyricism at the sacrifice of the poetic. Political poetry also didn't feel like it had much to do with me. Perhaps I had been previously looking in the wrong places, attempting to connect with protest poems from the 1960’s, written before I was born. No wonder I didn’t feel an emotional, creative, or intellectual connection.
However, in the months after the 2016 election, a majority of the writing that came out of me could be tagged as political poetry, and I haven’t been able to stop writing it since. I process thoughts through the written word, so I turned to poetry in an attempt to make sense of a world that felt like it was crumbling around me. I wrote with no attention to form or meter. I wrote to work through—and work out—a feeling of impending doom, chaos, and persecution.
Eventually I looked at my notes, all those rough drafts, and wondered if I could turn them into poetry by emphasizing images and elements, balancing emotions and concrete situations. Could I make something potentially beautiful from the ugliness I saw and felt? Even if I couldn’t, my attempts made me feel less stuck. I’ve written a sonnet on birth control, poems on the prison industrial complex, and made a poembox about Claudia Rankine’s Citizen, among other things.
Creative writing, especially the language of poetry, has the power to transform thinking and is a testament for the necessity of poetry in times of crisis. Amidst walls erected in the name of public safety, children interned and separated from their families, people of color who are shot by police, the erosion of health care and impending loss of choice over our own bodies, poems of protest and resistance can empower us to transform our world. When we the people resist being categorized by politics, we cross the boundaries imposed upon us, and we are open to accepting our differences.
And as Chad Bennett says in his piece, “Why Are More Americans Reading Poetry Right Now?” “…poems often nourish questions more than answers. Poems tend to foster uncertainty. Poems cultivate mixed feelings.” Poetry can help us become more comfortable living in an uncertain space, teach us to hold and evaluate conflicting beliefs without our heads exploding. In times of crisis, poetry is there for us.
As most of life is more gray than black and white, there is another option between these diametric poles: make some art. Try doing it outside of your chosen form(at) or genre. If you’re a writer, try painting. If you’re a photographer, make an assemblage sculpture about what’s coming into your life right now. Write a Villanelle about how the world feels like it’s on fire, then write a Tanka about that gorgeous, looming moon. Then rewrite them breaking the forms. Get together with other creative people and talk, create things while you are together, plan and execute projects to keep you making art. If you’re open to it, do a poetry ritual, or cast what could be thought of as a spell, which brings us back to the power of language. Just keep creating and talking, especially about the hard stuff. Invite a change, or at least attention, pour light where before there was darkness.
Creating something against inhumane policies takes strength and means standing up and saying who you are, that your life matters, that others lives matter.
Sometimes we have to write things just to get them out to help ourselves—focus on the process over the product and make something new without worrying about how it’s going to look when it’s finished. Now is your time to get your creativity out. Turn it into a force of reckoning.
So this July 4th, start a creative revolution in your life. It’ll be a revolution for you as much as for others. You never know who will be paying attention. You may bring something into the world that someone really needs. Speak to your power. Do something creative, begin by doodling or a writing a journal entry. Write a poem in a notebook, sketch your own face in the mirror, play with clay or paints. Express what the hell is going on in and around you.
It is easy to feel defeated by current policies and decisions, but you can resist through your creativity. Keep making noise and practice using your voice. Figure out how to listen, how your own voice might be best expressed, and what you want to say. Then say it, say it again, and keep saying it until you see change begin.
Further reading suggestions:
Look, Solmaz Sharif
Don’t Call Us Dead, Danez Smith
Citizen, Claudia Rankine
Nature Poem, Tommy Pico
There Are More Beautiful Things Than Beyoncé, Morgan Parker
The January Children, Safia Elhillo
Night Sky with Exit Wounds, Ocean Vuong
Seam, Tarfia Faizullah
Milk, Dorothea Lasky
Wade in the Water, Tracy K. Smith
#NoMorePresidents at Heavy Feather Review
Learn more about Jesica Carson Davis and her work here.
7/3/2018 10:19:06 am
Loved this piece
7/3/2018 05:22:33 pm
Very intriguing and interesting!’
7/7/2018 10:41:33 am
7/26/2018 05:48:18 am
I like that holding uncertainty is the radical element, not just content. Thought provoking piece, thank you.
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