INVERTED SYNTAX

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        • Ginny Short Firehouse Art Center Postcard Exhibit
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  • Sublingua 2022 Results
    • Sublingua 2020 Results
    • Sublingua 2019 Results
  • Submit
    • Sublingua Prize for Poetry
    • General Submission Guidelines
    • The Art of the Postcard
  • Store
  • The Fissured Tongue Series
    • Fissured Tongue Volume 4
    • Fissured Tongue Volume 3
    • Fissured Tongue Volume 2
    • Fissured Tongue Volume 1
    • Online Issue Two
    • Online Issue One
  • The Art of the Postcard
    • About The Art of the Postcard
    • Art of the Postcard Issue 3
    • Art of the Postcard Issue 2
    • Art of the Postcard Issue 1
    • We Are All Artists Exhibit >
      • Video Compilation FirehouseArt Center Postcard Exhibit
      • Firehouse Exhibitors 2022 >
        • Churnage FirehouseArt Center Postcard Exhibit
        • Daniel Staub Weinberg Firehouse Art Center Postcard Exhibit
        • Genevieve Rose Barr Art Center Postcard Exhibit
        • Eva Schultz Firehouse Art Center Postcard Exhibit
        • Samantha Malay Firehouse Art Center Postcard Exhibit
        • D Allen Firehouse Art Center Postcard Exhibit
        • Hayley Harris Firehouse Art Center Postcard Exhibit
        • Tony Peyser Firehouse Art Center Postcard Exhibit
        • Sarah Santoni Firehouse Art Center Postcard Exhibit
        • Julia Klatt Singer Firehouse Art Center Postcard Exhibit
        • Kathryn Kruse Firehouse Art Center Postcard Exhibit
        • Meg Freer Firehouse Art Center Postcard Exhibit
        • Moira Walsh Firehouse Art Center Postcard Exhibit
        • Stephanie Staab Firehouse Art Center Postcard Exhibit
        • Anne Swannell Firehouse Art Center Postcard Exhibit
        • Laura Knott Firehouse Art Center Postcard Exhibit
        • Jo Goren Firehouse Art Center Postcard Exhibit
        • CR Resetarits Firehouse Art Center Postcard Exhibit
        • Sarah Ernestine Firehouse Art Center Postcard Exhibit
        • Stephanie Johnson Firehouse Art Center Postcard Exhibit
        • Charles J. March III Firehouse Art Center Postcard Exhibit
        • Emily Mosley Firehouse Art Center Postcard Exhibit
        • Grace Desmarais Firehouse Art Center Postcard Exhibit
        • Emily Vieweg Firehouse Art Center Postcard Exhibit
        • Claire Lawrence Firehouse Art Center Postcard Exhibit
        • Meca'Ayo Cole Firehouse Art Center Postcard Exhibit
        • Andrea Rexilius Firehouse Art Center Postcard Exhibit
        • Christian Garduno Firehouse Art Center Postcard Exhibit
        • Salma Ahmad Caller Firehouse Art Center Postcard Exhibit
        • Glenn Thomas Firehouse Art Center Postcard Exhibit
        • Claire Yspol Firehouse Art Center Postcard Exhibit
        • Michael Thompson Firehouse Art Center Postcard Exhibit
        • Rikki Santer Firehouse Art Center Postcard Exhibit
        • Laura Gamache Firehouse Art Center Postcard Exhibit
        • Christine Williams Firehouse Art Center Postcard Exhibit
        • Stephanie Beechem Firehouse Art Center Postcard Exhibit
        • Imma Dunach Firehouse Art Center Postcard Exhibit
        • Ginny Short Firehouse Art Center Postcard Exhibit
        • Josh Lefkowitz Firehouse Art Center Postcard Exhibit
        • Carolyn Adams Firehouse Art Center Postcard Exhibit
      • We Are All Artists Exhibit Guide
      • We are All Artists Submission Form Firehouse Art Center Postcard Exhibit
  • Nominations & Awards
    • Pushcart Prize
    • Best of the Net
    • Best Micro Fiction
  • About Us
    • Masthead
    • More >
      • Interviews
      • Blog
      • Resources >
        • Writing resources
        • Mile-High MFA >
          • Mile-High MFA Writers
          • Mile-High MFA Website
          • Faculty News & Interviews
    • Our Contributors
    • Mission


About Us

Our Mission

​Human expression is never orderly. It is a space of disruption. To let ourselves express means to be vulnerable. It means to invert syntax so as to articulate the visceral.  

In 1862, Edouard Manet painted Le Déjeuner sur l'herbe (The Luncheon on the Grass). In 1863 it was rejected by the Paris Salon—the official art exhibition of the Académie des Beaux-Arts, one of the art academies in Paris. Undeterred, Manet showed his work at another exhibit, Salon des Refusés, French for "exhibition of rejects,” where it generated both positive and negative responses. What we love about this story is that Manet believed in the power of his work even when the Salon jury did not. He knew its value, and he wasn't going to let others decide whether it deserved to be seen. He knew that the establishment shouldn't have the final say.  

At Inverted Syntax, we feel similarly. We want to be your Salon des Refusés. We believe that something is missing from the current literary and visual arts landscape— work that feels rogue, daring. Work that breaks the rules. Work that doesn't have any rules. We don’t want work that adheres to outdated definitions. We want experimental. We want hybrid. We want progressive. We want work that takes unorthodox approaches to form and aesthetics. We want work that rebels against the establishment and pushes us toward something we have yet to define— or perhaps something that resists definition altogether. We want memorable, haunting approaches to art and language that turn us inside out and convey novel insights into the human experience. We want it all.
Our History  
Inverted Syntax is an independent art and literary journal edited by (mostly) volunteer MFA graduates of the Mile-High MFA at Regis University, and published annually in print. Inverted Syntax is funded entirely through Inverted Syntax Press LLC. Inverted Syntax is published in print once a year, and at least twice a year online through our Fissured Tongue Series. 

Founded in December 2017 by Nawal Nader-French and Mile-High MFA graduates, Inverted Syntax started as an online space to celebrate the Mile-High MFA community with the hope of one day evolving into a literary journal. By early 2018, thanks to support of many Mile-High MFA graduates, especially Ashley Spurgeon, Hillary Leftwich, Kateri Kramer, and Stephanie Vessely, Nawal moved forward in creating her vision for a literary journal.
Since August of 2018, Inverted Syntax has been edited exclusively by Nawal, Jesica Davis, Allissa Hertz, and Melanie Merle. Ted Downum and Traci Jones have been dedicated fiction readers since the journal started accepting submissions, and editorial assistants, Ginny Short and Yesica Mirambeaux have been committed readers of all submissions readers since 2019. Jason Masino and Ashley Bunn read on an as needed basis.
We are thrilled to welcome to the team, contributor and poetry reader, André O. Hoilette!


​In 2019, we started our annual contest, the Sublingua Prize for Poetry with Dorothea Lasky judging in 2019 and Khadijah Queen judging in 2020.
**Due to staffing limitations, we will not be able to run the contest in 2021 nor publish an issue.
Look for us in 2022
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online issue Two
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