Welcome to the second print edition of Inverted Syntax: A Letter from Editorial Assistant, Melanie Merle:
Welcome to the second print edition of Inverted Syntax. For optimal enjoyment, please read cover to cover. Reading this journal will make you more interesting. It will incite, arouse, and stir your memories, your realities, your un-realities. It will make you more attractive. It could even save your life.
In recent days, I've been diving into Iggy Pop's “Til Wrong Feels Right," and face-planted on the truth behind the title. There is a lot of face-planting in the "wrong" of things — in life and in writing — compared to the handful of right moments spent aloft, the crazed and beautiful grin of a five-year-old greeting the world. Our contributors have poured themselves into the works you find here. They have skinned their knees and egos for this. Our readers and editors have committed countless hours and, more importantly, heart and brain cells, for what you now hold in your hands, til wrong felt right, we are more than a little excited about what you're about to find between our lovely covers.
This issue reminds me that language is architecture — that the poet makes a flying buttress of words, that a line break, well placed, can find your heart sliding off the end of an I-beam. I have bruised myself in these pages, bumped into the words, grabbed my shins, realized how necessary it is to rearrange the furniture at times, to disrupt and challenge over-worn pathways of language and thought.
New in this edition, you'll find the winner, runners-up, and finalists to our Sublingua Prize for Poetry, judged this year by Dorothea Lasky. And you'll find what our readers and editors culled from submissions, work that reflects the multitudes, work that challenges definition, that pierces and scurries, offers the look of structure, but not always shelter. In seeking disruptions in thought, word, syntax, we have found them. We are thrilled to share them with you.
We thank you for being here. We "Dear Reader" you for that. The writing and art you find here begs you to consume it. We want to see it leak from the corners of your mouths and shine from your eyes. We hope you devour it and return to feast again. Because we believe this work will nourish and inspire.
Welcome to the table.
A Letter From the Editor on Issue Two