INVERTED SYNTAX
  • Fissured Tongue Series
    • Fissured Tongue Series Guidelines
    • Fissured Tongue Volumes >
      • Fissured Tongue Volume 7
      • Fissured Tongue Volume 6
      • Fissured Tongue Volume 5
      • Fissured Tongue Volume 4
      • Fissured Tongue Volume 3
      • Fissured Tongue Volume 2
      • Fissured Tongue Volume 1
      • Online Issue One
      • Online Issue Two
  • POETRY BOOK CONTESTS
    • Poetry Contest Results >
      • 2025 Poetry Book Prizes No Winner Selected
      • 2024 POETRY BOOK CONTESTS RESULTS
      • Sublingua 2023 Results
      • Sublingua 2022 Results
      • Sublingua 2020 Results
      • Sublingua 2019 Results
    • POETRY BOOK CONTEST GUIDELINES
  • About Us
    • Masthead
    • More >
      • Interviews
      • Blog >
        • Blog
      • Resources >
        • Writing resources
        • Mile-High MFA >
          • Mile-High MFA Writers
          • Mile-High MFA Website
          • Faculty News & Interviews
    • Our Contributors
    • Mission
  • Store
  • Nominations & Awards
    • Pushcart Prize
    • Best of the Net
    • Best Micro Fiction
  • The Art of the Postcard
    • About The Art of the Postcard
    • Art of the Postcard Issue 3
    • Art of the Postcard Issue 2
    • Art of the Postcard Issue 1
    • We Are All Artists Exhibit >
      • Video Compilation FirehouseArt Center Postcard Exhibit
      • We Are All Artists Exhibit Guide
      • We are All Artists Submission Form Firehouse Art Center Postcard Exhibit

Anne Swannell

  • About
<
>
Picture
Anne Swannell writes, paints, and makes mosaics in Victoria BC, Canada


"A postcard poem becomes personal, to-the-point, shorter and more succinct — and not just because there isn’t much room on a postcard! Brevity happens because, since I’m writing to someone I “know,” even if it’s an imaginary someone, I can take for granted certain things that he or she understands, and therefor I don’t need to spell everything out. Because it’s a postcard, I can assume that either we have some back-ground in common or that we will have some connection in future. I’m now re-writing every poem in my latest ms. before I send it out again to seek a publisher! It doesn’t change the subject matter, it changes the stance, the occasion of utterance ... and that can now become different for each poem. In other words, the speaker of the poem need not always be me per se. Just as the imagined recipient of the postcard can change, so might the imaginary sender, and that’s a revelation, a mind-expander!"
FISSURED TONGUE SERIES 
Mag Print issues
Submit 
​


    About
    Masthead
    Subscribe
​
    Awards
Contact 
Join Our Team
​Resources
Picture
Picture
© COPYRIGHT 2018-2023 ​INVERTED SYNTAX PRESS LLC.  ​
​ALL RIGHTS RESERVED
P.O. BOX 2044, LONGMONT, COLORADO, 80502 , USA  PHONE:
‪(720) 378-7004‬