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        • Samantha Malay Firehouse Art Center Postcard Exhibit
        • D Allen Firehouse Art Center Postcard Exhibit
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        • Sarah Santoni Firehouse Art Center Postcard Exhibit
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        • Laura Gamache Firehouse Art Center Postcard Exhibit
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        • Stephanie Beechem Firehouse Art Center Postcard Exhibit
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​​​The Fissured Tongue Series 

Boundary

​Grace Ann Rogers
Picture
"Untitled" by Rupert D. Turnbull; oil on canvas; 28 x 36 in.; 1938; open source from the Smithsonian American Art Museum
The night I put all of my belongings
into Google Translate was the same 
night I decided to change my name 
to “Area.” My first word was 
“tree.” My first phrase was
“Dollar Tree.” My first anxious 
uttering was, “Is it just me 
or did that tree bloom earlier than 
usual this year?” My first love 
said unto me, “Area, 
you are the least involved in capitalism 
person I know.” My first step was 
aimed at a butter dish. My first day
of fast was followed by congratulations
from all the women in my life. The lonely 
well, the sinkhole, the space to fill, the 
sweltering summer heat, the lake,
the binary, the nothingness, 
and the reflection of my grief 
walked into a bar and said, “the
translator really fucked this one up.” 
About the Author

Grace Ann Rogers (she/her) is a musician and writer from Owingsville, Kentucky. Her work has appeared in MAYDAY Magazine, Cold Mountain Review, and the Sonora Review. She currently lives in Lexington, Kentucky. 

About the Work

"Boundary" is part of a larger projected called Into Nowhere which explores the relationship between landscape, language, and colonialism in Eastern Kentucky. This particular poem attempts to unravel some ideas surrounding translation, borders, and the blundering, baby-fawn legged inadequacy of English when used to talk about a place it was not created to describe — a place its speakers colonized. 
online issue Two
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