INVERTED SYNTAX

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  • The Fissured Tongue Series
    • Fissured Tongue Volume 1
    • Online Issue Two
    • Online Issue One
  • Store
  • Submit
    • Submission Guidelines
    • Sublingua Prize for Poetry
    • The Art of the Postcard
  • Sublingua 2020 Results
    • Sublingua 2019 Results
  • The Art of the Postcard
    • Art of the Postcard Issue 2
    • Art of the Postcard Issue 1
  • Interviews
  • Blog
  • Nominations & Awards
    • Pushcart Prize
    • Best of the Net
    • Best Micro Fiction
  • Resources
    • Writing resources
    • Mile-High MFA >
      • Mile-High MFA Writers
      • Mile-High MFA Website
      • Faculty News & Interviews
  • About Us
    • Masthead
    • Our Contributors
    • Mission
    • Join our team

I N V E R T E D   
​S Y N T A X

RICH, RAW, RELEVANT. It will break your heart and mend it at the same time. Issue 3 is now available for Preorder

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The Fissured Tongue Series 

About Fissured Tongue Series
We receive quite a bit of stunning work that we do not get to publish in our online or print issue-- work that speaks to us, turns us inside out and articulates the visceral, work that we cannot fit into two issues per year. Thus, we created 
Inverted Syntax’s Fissured Tongue series to bring you pieces that speak to Inverted Syntax’s mission: fictional stories, creative non-fiction, poetry, and everything in-between. Fissured Tongue series publishes work we love intermittently between our digital (October) and print (January) issues. Every few weeks to a month, we’ll bring you fresh voices, urgent storytelling, and stunning language: watch this space or follow us on Instagram and Twitter to always be in the know.
All submissions made to Inverted Syntax are also considered for Fissured Tongue.
Coming SOON. Fissured Volumes!
Featured Cover Art:
 Unidentified Variety of Birch by Andrea Rexilius,  mixed media collage, 11 x 17 inches, 2018, cropped. Published in Inverted Syntax print issue 2019.
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“Things Found Inside Women’s Bodies: Bowl“ by Salma Ahmad Caller. Watercolour, collage, graphite, Indian Ink, gesso, gold pigment. dust, 54.5cm x 19cm, cropped, 2018,
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“Untitled (Heart-Shaped Face)” by Daisy Patton. Oil on Archival Print on Panel, 30 x 24 in, 2018
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Art by Andrea Rexilius
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"Expedition Oriental Body" by Salma Ahmad Caller. Indian Ink, collage, graphite, gold dust pigment on acid free cartridge paper, 59.4cm x 84.1cm, 2018.
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“Oculus of The Body” by Salma Ahmad Caller. Watercolor Collage, Graphite, Indian ink, & Gold pigment, 76.5 x 55.5 cm, cropped, 2018
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“Untitled" by Tameca L Coleman, Digital Photograph, cropped, 2018
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Art by Daisy Patton
online issue Two
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